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What reason must have been there to get into blogging?

Its none other than to write, publish and to keep an eye on contemporary life. My passion has always been teaching and hence I know, though very late, this is an ideal platform.

So friends keep reading on the issues which I feel are important in the world of ELT, Pedagogy and of course issues related to present day life.




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Rules of accentual pattern

Rules of accentual pattern a)       Words with weak prefixes are accented on the root and not on the prefix E.g. correct, compose etc b)       The inflexional suffix –es, -ing, and –ed do not affect the accent. E.g. remind-reminded; figure-figures; survive-surviving  c)        The addition of various derivational suffixes like –age, -ance, -en, -er, -ess, -ful, -hood, -ice, -ish,   -ive, -less, -ly, -ment, -ness, -or, -ship, -ure and –zen does not change the accent of the main word. E.g. percent-percentage; allow-allowance; fright-frighten etc d)       Words ending with –ion have the primary accent on the penultimate syllable E.g. Motion, relation, decoration, etc e)       Words ending witn –ic, -ical, -ically, -ious, -ial, and –ially have the primary accent on the syllable before these suffixes. E.g. democratic, classical, technically, essential   etc.   f)     Words ending with –ity take the accent on the ante-penultimate syllable (third from last)        
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Waiting for Godot as an absurd drama

The theatre of the absurd is a phenomenon of the fifties. The writers in the Absurd Movement diagnosed humanity’s plight as a purposelessness in an existence out of harmony with its surroundings. Awareness of this lack of purpose in all produces a state of metaphysical anguish which is the central theme of Absurdists. Dramatists belonging to this group did not regard themselves as a school but they all seemed to share certain attitudes towards the predicament of the men in the universe. The theatre of the absurd presents anxiety, despair and a sense of loss at the disappearance of solutions, illusions and purposelessness. The chief practitioners of absurd drama includes Samuel Beckett, Harold Pinter, Ionesco, Edward Albee and Genet. Waiting for Godot is a representative play of the theatre of the absurd. It is a landmark in modern drama. It is a meditation upon the condition of man imprisoned within the obdurate and inexplicable dimension of time. In this play Beckett expr
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Notes on Exciting Views

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